MELT BANANA + TORCHE :: VENUE :: JULY 4TH :: PRESENTED BY SCRAPE & BLUEPRINT LIVE

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881 Granville Street
Vancouver, BC
Canada

Japanese noise rock band Melt Banana found more success in the U.S. and the U.K. than in their own country, gaining a small but dedicated fan base among American and European punk rock fans.

MELT BANANA (Japan)
https://www.facebook.com/pages/Melt-Banana/192954987398661

and

TORCHE (Relapse / Miami)
http://www.torchemusic.com/

Saturday, July 4th

at VENUE
881 Granville St
Doors at 7pm
19+ with valid ID

• Tickets •
On sale Thursday at 10am
Hardcopies available at SCRAPE, Red Cat and Zulu Records

• About Melt Banana •
Japanese noise rock band Melt Banana found more success in the U.S. and the U.K. than in their own country, gaining a small but dedicated fan base among American and European punk rock fans. Although their music sounds noticeably different from any sort of traditional punk, it contains some punk elements: shrieking vocals, overdriven guitars, and one-and-a-half-minute songs. Melt Banana’s unique style, however, comes as a result of the distinctly piercing vocals of lead singer Yasuko O., as well as the frenzied, effect-charged playing of guitarist Agata. Searing, intense, and mind-blowingly fast are perhaps the first adjectives that come to mind when listening to Melt Banana’s music.

• About Torche •
After the breakup of Floor in 2004, Torche vocalist/guitarist Steve Brooks decided to carry on the thundering tradition of his former band, recruiting guitarist Juan Montoya (also formerly of Floor), drummer Rick Smith, and bassist Jonathan Nuñez. This lineup evolved the sonic template Brooks had created with Floor into a lush and more fully realized sound. In 2005, the Miami four-piece released their eponymous debut Torche on Robotic Empire, introducing the world to a new brand of doom/stoner metal that replaced the bleakness and despair typical of the genre with a more triumphant and anthemic sound: the heavy metal equivalent of Chariots of Fire. Combining detuned, droning guitars reminiscent of doom luminaries Earth and Sunn 0))) with soaring, harmonic vocals, Torche created a new take on the genre that is best described as “doom pop.”

After the album’s release, the band began extensive cross-country touring, sharing bills with the Sword, Mouth of the Architect, Jesu, Isis, and Mogwai. In March of 2007, Torche released a remastered version of their self-titled album featuring the bonus track “Make Me Alive.” In the summer of 2007, Torche released the beautifully packaged EP In Return on Robotic Empire, featuring a jacket designed by John Baizley of Baroness. Late in 2007, the bandmembers announced that they had finished recording their second album, Meanderthal, which was released in 2008. Later that year, guitarist Juan Montoya left the band due to creative differences. The remaining members carried on as a trio, touring with bands like Harvey Milk and Coheed and Cambria. In 2010, the band released the EP Songs for Singles on Hydrahead. Released in 2012, the hook-laden and critically acclaimed Harmonicraft found the group topping numerous year-end lists, and 2015’s Restarter mined similar territory, doubling down on the earworms without losing any muscularity.

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